Psycho (1960)

Psycho

Call No: TEMP 1959

When Psycho was first released to theatres, it was sent with a cardboard cutout of Alfred Hitchcock to put in a lobby, along with this warning:

“The manager of this theatre has been instructed at the risk of his life, not to admit to the theatre any persons after the picture starts. Any spurious attempts to enter by side doors, fire escapes or ventilating shafts will be met by force. The entire objective of this extraordinary policy, of course, is to help you enjoy Psycho more. -- Alfred Hitchcock”. 

When Hitchcock bought the rights to the book, he also attempted to buy as many copies as possible so that nobody could give away the ending. Seeing the movie, it’s easy to understand why he was so determined not to spoil it for anyone. As a result (and to stop Hitchcock’s ghost from finding me), I won’t spoil it for you either.

Marion Crane loves her boyfriend Sam but, because of both of them being strapped for money, they can’t get married. When Marion is given $40,000 dollars to deposit for her employer (at a job she doesn’t enjoy), she gets an idea. Taking the money with the intention of heading to California to surprise Sam, Marion’s trip is threatened by bad weather. Pulling into the Bates Motel on a side road, Marion meets the kind and quiet Norman Bates. But life isn’t what it seems like for Norman, when his dominating mother seems to have him in an iron grip.

Vampires Week: Blade Trilogy (1998, 2002, 2004)

This whole week of reviews was inadvertently started by my housemate. We were reading over my list of possible films to review when she said, “We should watch Blade.” She hadn’t seen it in years and I’d never seen any of them. Always up for a new movie experience and being a big fan of both action films and comic books (on which Blade is based), I named this week “Vampire Week” and we checked out all three Blade movies with which to marathon. I have to say, I was not disappointed. I’ll comment on all three movies here as simply and succinctly as possible.

Blade

Call No: PN1997 .B5738 2001

The movie that starts it all. Basic rundown? Blade is the half mortal, half vampire protector of the human race. Known as the “Daywalker” because of his ability to walk during the day while having the healing and strength of a vampire, Blade must take down vampire baddie Deacon Frost with the help of his mentor Whistler.

First of all, props to Kris Kristofferson for not only managing to appear threatening at his age, but to do it in a leg brace. The storyline is tight and suspenseful, easily driven by the equal combination of action and drama (and by drama, I mean scenes where Blade doesn’t look like he’s going to kill someone and the other characters share memories and emotions). While the manner by which some mild gore was executed turned my timid stomach while eating (my own fault), I’d watch this film again in a heartbeat.

Vampires Week: Nosferatu (1922)

Nosferatu

Call No: PN1997 .N663 2002

Note: This is a silent film. Written dialogue and story is in English.

You can’t very well have a proper vampire week without watching Nosferatu. Made in 1922, this silent film is the first film based on Bram Stroker’s classic novel, Dracula. And what vampire week would be complete without the grandfather of all vampires?

Hutter is a pleasant and happy man who works in a real estate office. When his boss tells him that the wealthy Count Orlok wants to move into their quiet village, Hutter must travel to Transylvania to try and sell him a house – one that happens to be right across from Hutter’s. It isn’t long before Hutter discovers that something isn’t quite right about the Count, but it’s too late. It becomes a race of who can get back to the town first, especially when the Count owns the house across the street and has his sights set on Hutter’s wife, Ellen.

Vampires Week: The Lost Boys (1987)

The Lost Boys

Call No: PN1995.9.S26 L881 2004

The Lost Boys seems to be one of those movies that straddle both the worlds of obscurity and nostalgia. Those who grew up with the movie have a sort of fond affection for the offbeat and campy film, while those who haven’t seen it might not even know of its existence. It’s not a groundbreaking film or something you absolutely must see. It’s not even that fantastic. It is an entertaining watch, if for nothing more than to see how comfortable Kiefer Sutherland is in his role of being the badass (a little less Jack Bauer and a little more pre-Twilight vampire).

The story is about two brothers and their single mom to live with their grandfather in a small town in California, a town that is rumoured to be overrun with vampires. Soon after arriving, the boys find themselves immediately pulled into opposite directions: the older brother becomes attracted to a mysterious girl and drawn into her circle of suspicious friends, while the younger brother meets two boys who claim to be vampire hunters. When the older brother’s personality and behaviours begin to change rapidly, the two must work together to find a way to stop it.

Bubba Ho-Tep (2002)

BUBBA HO-TEP
Call No: PN1997.2 .B83 2002

There’s something about Bruce Campbell that I can’t seem to avoid. It’s not that I don’t enjoy watching him – it’s quite the opposite. I find him a treat to watch, like that snack in the cupboard that you know is terrible for you but you can’t seem to quit. I first discovered him when a friend insisted that I watch Sam Raimi’s Army of Darkness. Even though it was the third part of the Evil Dead trilogy, my friend insisted that I didn’t need to watch the first two to enjoy it. He was right, and to this day I still stop for Bruce Campbell when channel surfing. When I came across Bubba Ho-Tep, I was excited to watch.

Don’t get me wrong -- this is not the witty and clever Shaun of the Dead, nor is it the gory and entertaining Zombieland. Watching this film and expecting anything but what it is could sour the viewer. The premise of the film, however, is enough to make any fan of these movies consider giving it a shot. I wish I could have been in the room when they first pitched the idea for this film: Elvis Presley and John F. Kennedy fight off an undead mummy at a retirement home. Of course, not all the residents of the retirement home are still playing with a full deck so their real identity is suspect, but the stories that Elvis and Jack spin about themselves are so entertaining that you can’t help but hope they might just be telling the truth.